Von Hier Aus, Rolff Stiftung, Burg Gladbach, Germany, 2022
Vom Leben in Industrielandschaften – Den Strukturwandel im Blick, Leopold Hoesch Museum, Düren, Germany
![](https://i0.wp.com/natachanisic.net/wp-content/uploads/2023/07/Fukushima-1-et-3-Hoesch-Museum-2.jpg?w=525&ssl=1)
![](https://i0.wp.com/natachanisic.net/wp-content/uploads/2023/07/F-Hoesch-Museum.jpg?resize=525%2C356&ssl=1)
Fukushima 1 and Fukushima 3, canson paper, metallic pencils, 2 x 0,75x 3,40m, 2014, 2016
F, Video HD, color, stereo sound, 17′, 2014
The Crown Letter, Fondation Fiminco, Romainville, France, 2022
![](https://i0.wp.com/natachanisic.net/wp-content/uploads/2023/07/Natacha-Nisic-April-21-28.jpg?resize=525%2C399&ssl=1)
Catalogue de gestes, Photography from Super 8 negatif, 0,55 x 0,45 m, 2021
Blackmail, Performance, Les chantiers de Marie-José Mondzain, Théâtre de la Commune, Aubervilliers, France, 2021
![](https://i0.wp.com/natachanisic.net/wp-content/uploads/2023/07/image.png?resize=525%2C393&ssl=1)
Performance + Projection, Théâtre de la commune, Aubervilliers
Catalogue de gestes, Centre Georges Pompidou, new presentation of the collection, 2022
![](https://i0.wp.com/natachanisic.net/wp-content/uploads/2022/01/Catalogue-de-Gestes-Centre-Pompidou-1.jpg?resize=525%2C282&ssl=1)
20 gestures, Super 8 on video, 20 HD screens, color, no sound
Strange Days, Erinnerung ist ein Gespenst, Mahlkasten, Düsseldorf – Online exhibition, 2020
![](https://i0.wp.com/natachanisic.net/wp-content/uploads/2022/01/Strange-days.jpg?resize=308%2C435&ssl=1)
Eternity, poster 1,50x 0,90m in front of the closed building, Mahlkasten, Düsseldorf, Germany